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	<title>Muraclay &#187; Francisco de Goya</title>
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		<title>My hero Francisco Goya by Diana Athill</title>
		<link>http://www.muraclay.com.au/my-hero-francisco-goya-by-diana-athill/5788/</link>
		<comments>http://www.muraclay.com.au/my-hero-francisco-goya-by-diana-athill/5788/#comments</comments>
		<pubDate>Sat, 13 Feb 2010 00:08:02 +0000</pubDate>
		<dc:creator>Art and design: Art &#124; guardian.co.uk</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Art and design]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Diana Athill]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Francisco de Goya]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[The Guardian]]></category>

		<guid isPermaLink="false">http://www.guardian.co.uk/books/2010/feb/13/francisco-goya-hero-diana-athill</guid>
		<description><![CDATA[<div class="track"><img alt="" src="http://hits.guardian.co.uk/b/ss/guardiangu-feeds/1/H.20.3/37384?ns=guardian&#38;pageName=My+hero+Francisco+Goya+by+Diana+Athill%3AArticle%3A1359027&#38;ch=Books&#38;c3=Guardian&#38;c4=Francisco+de+Goya%2CDiana+Athill%2CPainting+%28Art+and+design%29%2CArt+%28visual+arts+only%29%2CArt+and+design%2CBooks%2CCulture+section&#38;c6=Diana+Athill&#38;c7=10-Feb-13&#38;c8=1359027&#38;c9=Article&#38;c10=Feature&#38;c11=Books&#38;c13=My+hero+%28series%29&#38;c25=&#38;c30=content&#38;h2=GU%2FBooks%2FFrancisco+de+Goya" width="1" height="1" /></div><p>My hero is Goya – hard to explain when so little is known about him, his very few extant letters being so flat  (like those of a cabinet-maker, someone said). And given a "fact", such as that he knew French, because he once signed a letter written in that language, it is promptly contradicted by an old friend of his who said he arrived in Bordeaux as an old man "without a word of French". But we do know that when near death he made the splendid statement: "And still I learn." And his work never ceases to demonstrate his loathing of cruelty and stupidity. Never does he romanticise horror, he is not frightened, he is disgusted almost (but, heroically, never quite) beyond expression. And when he loves – oh, the life quivering in his portraits of the doctor who saved him, his friends Sebastián Martínez and Tiburcio ­Pérez y Cuervo and, above all, in that exquisitely tender portrait of the young and pregnant Condesa de Chinchón, first caught by him as a charming child peeping out of a family group. When I think of that I have to say that perhaps he is less my hero than my love.</p><div class="related" style="float: left;margin-right: 10px;margin-bottom: 10px"><ul><li><a href="http://www.guardian.co.uk/artanddesign/goya">Francisco de Goya</a></li><li><a href="http://www.guardian.co.uk/books/diana-athill">Diana Athill</a></li><li><a href="http://www.guardian.co.uk/artanddesign/painting">Painting</a></li><li><a href="http://www.guardian.co.uk/artanddesign/art">Art</a></li></ul></div><br /><div class="terms"><a href="http://www.guardian.co.uk">guardian.co.uk</a> &#169; Guardian News &#38; Media Limited 2010 &#124; Use of this content is subject to our <a href="http://users.guardian.co.uk/help/article/0,,933909,00.html">Terms &#38; Conditions</a> &#124; <a href="http://www.guardian.co.uk/help/feeds">More Feeds</a></div><p style="clear:both" />]]></description>
			<content:encoded><![CDATA[<div class="track"><img alt="" src="http://hits.guardian.co.uk/b/ss/guardiangu-feeds/1/H.20.3/37384?ns=guardian&pageName=My+hero+Francisco+Goya+by+Diana+Athill%3AArticle%3A1359027&ch=Books&c3=Guardian&c4=Francisco+de+Goya%2CDiana+Athill%2CPainting+%28Art+and+design%29%2CArt+%28visual+arts+only%29%2CArt+and+design%2CBooks%2CCulture+section&c6=Diana+Athill&c7=10-Feb-13&c8=1359027&c9=Article&c10=Feature&c11=Books&c13=My+hero+%28series%29&c25=&c30=content&h2=GU%2FBooks%2FFrancisco+de+Goya" width="1" height="1" /></div><p>My hero is Goya – hard to explain when so little is known about him, his very few extant letters being so flat  (like those of a cabinet-maker, someone said). And given a "fact", such as that he knew French, because he once signed a letter written in that language, it is promptly contradicted by an old friend of his who said he arrived in Bordeaux as an old man "without a word of French". But we do know that when near death he made the splendid statement: "And still I learn." And his work never ceases to demonstrate his loathing of cruelty and stupidity. Never does he romanticise horror, he is not frightened, he is disgusted almost (but, heroically, never quite) beyond expression. And when he loves – oh, the life quivering in his portraits of the doctor who saved him, his friends Sebastián Martínez and Tiburcio ­Pérez y Cuervo and, above all, in that exquisitely tender portrait of the young and pregnant Condesa de Chinchón, first caught by him as a charming child peeping out of a family group. When I think of that I have to say that perhaps he is less my hero than my love.</p><div class="related" style="float: left; margin-right: 10px; margin-bottom: 10px;"><ul><li><a href="http://www.guardian.co.uk/artanddesign/goya">Francisco de Goya</a></li><li><a href="http://www.guardian.co.uk/books/diana-athill">Diana Athill</a></li><li><a href="http://www.guardian.co.uk/artanddesign/painting">Painting</a></li><li><a href="http://www.guardian.co.uk/artanddesign/art">Art</a></li></ul></div><br/><div class="terms"><a href="http://www.guardian.co.uk">guardian.co.uk</a> &copy; Guardian News & Media Limited 2010 | Use of this content is subject to our <a href="http://users.guardian.co.uk/help/article/0,,933909,00.html">Terms & Conditions</a> | <a href="http://www.guardian.co.uk/help/feeds">More Feeds</a></div><p style="clear:both" />]]></content:encoded>
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